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·Investor presentation

Tech research for the outsider

“Oh, [tech research company] must have a chart on that!”. Many startup pitch decks features charts, forecasts, and quotes by Gartner, IDC, Forrester, and others to back up their market claims. Here is how a potential investor looks at these charts:

  • Every deck they have seen over the past 10 years probably includes a $1b market forecast by one of these. Most of these companies are not $1b businesses.
  • These research agencies do a reasonable job at mapping out what people are spending today on technology, forecasts are based on this picture of today, where an analyst applies different growth rates in an Excel sheet to get to a number that is 3 years out. It is an extrapolation of market trends, not a thorough research about how IT could change fundamentally
  • Research relies on a categorization of the IT market with ambiguous names, it is never clear what is included, excluded, where a new technology fits, whether markets are double counted
  • Overall IT spend grows at a steady pace, that’s how corporate IT budgets work. So a revolutionary new technology cannibalizes investments in other technologies. Research reports hardly ever show sharp drops in the size of market segments. Rather, when a new technology emerges, people relabel, redefine the market segments to reflect the new reality. So again, not a helpful basis to forecast the future.
  • The quotes in the research report are loaded with jargon, but most importantly, all sound the same. A product manager might be really excited that a Gartner quote includes “it will definitely think about considering making my IT infrastructure more scalable next year by investigating [technology X]”, but for an investor this sounds all familiarly vague.
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·Images

Soft edges around images...

…never look good. At least, I have never seen ones that do. Soft edges are right up there with standard PowerPoint colors, low res images, clip art, and distorted aspect ratios: all tell tale signs that it is going to be “that kind of” presentation.

Leaving out some key statistics

Sometimes it can be tempting to leave out a key financial metric, because it does not look very good. So instead of “revenues”, we show “bookings adjusted for inflation, excluding south east Asia and before sales commissions”, which go through the roof in terms of growth.

Someone who sees the chart will immediately turn suspicious and ask “what about revenues?” If you are there in the room, you can explain things, if the person is reading the chart as part of cold email, you probably won’t have the opportunity to recover your credibility and integrity.

If you show financials, you have to show them properly. If there is a need to explain things, do it transparently. The alternative, leave them out in your first deck and save them for meeting #2.

·Layout

The bullet points are your starting point

Most finished slides show a list of bullet points as the final design, they are the finished product.

Instead, consider them the starting point. Ignore that guilty feeling of writing bullets, ignore the worry about a poor slide. Write all out, re-write it, write it again, and again. Take a step back:

  • Is this actually what I want to say? If not go back to step 0
  • Do I pad too much, can I cut fluff, buzzwords?
  • Do I write too little, can a layman understand what I mean?
  • Do I say something 2x? If so, delete one
  • Is one point a sub point of another one?
  • Are all points equally important?
  • Do I combine 2 important points into one?
  • Do I make 2 completely different points, if so split the slide
  • What is the basic structure of my story: a contrast, a ranking, a cause-effect, a trend, a missing puzzle piece, best of both worlds, an overlap?

After this process you should have a razor sharp list of “what should go in”, plus a good understanding of the structure, the “verb” of the slide. Now create a composition solely based on that info.

When you insert a new slide in my presentation app SlideMagic, you are presented with a number of slide templates which are not put in randomly, I thought about every single one of them pretty hard. These are the usual “visual verbs” I encounter. Try using them as the basis for your next slide design.

·Images

Where visuals are crucial

If I sit down with a client, in almost all cases, the pitch of a company comes out fine verbally. People know how to tell their story. The order might not be perfect, there are some repetitions, here and there one of my questions needs to be clarified, but all in all, in 30 minutes we got a pretty good understanding of what is happening.

My work is to translate that story into visuals. And given the above, there are different types of slides.

Some slides are absolutely crucial to understanding the pitch. These are the ones that people are opening their laptops for, and pull up page 37:

  • Screen shots and images of applications/products, in many cases it is actually unclear what the product does. This is specifically the case in internet applications, or medical devices where a picture of the actual product explains a lot.
  • Data visualization that emphasizes how big something really is compared to something else, how fast things are growing or declining. Visuals do a much better job here than spoken word
  • Complicated relationships, competitive positionings, IT architectures. These cases require a map on which both brains can sync to disentangle these complex structures.

Other slides are mere backup for the spoken word. They help to make the story more powerful, but are not essential: large photographs of metaphors (endless road, squeezed orange, confused customer) or simple text charts that support the flow of the story.

The purpose of the last group of charts is 1) to give your company a professional look & feel, and 2) make it possible for people to read/digest the story without you being present.

Selecting freelance designers online

Engaging a freelance designer online can be a bit scary: someone in a different time zone, who you cannot meet in person… Here are some thoughts (in random order) that could be useful both for freelance designers, and their (potential) clients.

  • Designers prefer a smaller group of clients who come back regularly over 1-off jobs. There is a lot of switching / friction cost involved when taking on a new client. So you are unlikely to find designers who will deliver an incredible sales pitch, do a crappy piece of work, then over charge and hope to get away with it.
  • Good designers are busy, so if someone cannot meet tomorrow’s deadline, it might be a good sign.
  • It is too time consuming and stressful for designers to stage a huge price negotiation dance for every project they do, so most will quote their rates, without padding in anticipation of haggling
  • if the work load is highly unpredictable (you have never worked with this client, the scope of the project is not clear), then it is not helpful to insist on a fixed project price. A good designer will either refuse to do it, or add an extraordinary “unforeseen” charge in the budget.
  • Squeezing out free work for a freelancer to prove herself probably upsets the designer, better is to risk a bit of money, and do a small test project. A few slides will  reveal instantly what the skills of the designer are. This is also an insurance policy against demo slides that might not have been developed by the designer in question. Also compare this small investment to what it would take to hire a permanent designer, and the risk you run when making a hiring mistake.
  • When doing your test project, do not only watch out for the quality of the work, or how quick the turnaround time is. What is more important is that the material gets returned at the agreed time, that the dialogue is responsive. You want to test the way to work together, in preparation for very critical deadlines where you have to rely on this stranger.
  • Finding a freelancer online is the first step in a longer cooperation, so the way she responds to feedback and learns is almost as important as the quality of the first work that she presented to you
·Story

Favorite metaphors

People have different presentation styles, and their favorite stories. It is very hard to “force” a completely new visual story metaphor on a good presenter who does a great job selling to customers or investors.

For example, when the CEO “forces” her particular visual analogies in the sales decks that should be used the a 10 person sales force, the result is not always good. The slides will be put on the screen, but then the audio track usually deviates with "hmmm, another way to look at this is [FILL IN FAVORITE STORY].

I usually see how flexible people are with coming up with a completely new way to tell a story, especially with someone with strong presentation skills.

·Story

One idea at the time

In technology, a new product often involves a complete new approach to a problem that did not exist before. Benefits impact on multiple fronts: it makes things cheaper, faster, or all of a sudden you can combine things, do things differently. The story is far more complicated than “this car now runs at y liters gasoline per 100 km versus x”.

The tendency of a company insider is to create a chart that explains everything. It is a bit like 5 people speaking at the same time, each expressing one nuance of the story.

  1. Skill level one: write out the entire story in verbal bullet points
  2. Skill level two: craft some sort of visual diagram that brings it all together

The diagram works for people who understand the story already, all the elements of the story are now in one concise page. Every element of the diagram is a visual reminder that unlocks a full story in the viewer’s head.

The fresh audience does not have this background. The only way to tell the story is isolate what is really important, and design charts specifically around that. Then, if you have to, you can construct a page that ties it all together, after the audience had a change to grasp the individual components.

Image via WikiPedia

·Story

Story vs outline

When people write a presentation outline, they usually write questions: “why there is a market opportunity, why we are best to capture it, why it is great to invest in us”.

The questions are mental shortcuts for the expert presenter, the answers is crystal clear in her head. The presentation looks incredibly logic on paper, yes, this is exactly what we should be talking about, answer these questions.

Missing though is the actual bridge between the questions and the answers in the head of the expert. Difficult for the audience to understand, or for the junior analyst to work on.

A better way to make a story line as actually write down in super short sentences the answer to these questions. You will bump into issues like repetition, order of arguments, where to go in detail, where not, where buzzwords pop up etc. etc.

Image by Scott Swigart on Flickr

·Templates

Templates for others to fill in

Some projects involve getting a lot of similar presentations from different business units or people. Examples: the annual investor day, or the annual budgeting round. At the start of the project, the same question comes up? What presentation template to send everyone in order to ensure that things look consistent.

My take:

The most important thing to get right is the programming of the template, not the slide layouts: fonts, colors, default shapes, everything should be hardwired in correctly.

It is very hard to prepare a complete presentation in the absence of specific facts, or a specific story. No business unit is exactly the same. And if they were the same, these uniform presentations combined would make a visually boring story!

One thing you can do is separate data collection from the the summary presentation. Be strict on format for collecting data (boring tables that are well designed), but give freedom for telling the story.

You could do things in 2 steps: send out the broadcast master template, let people work with it a bit, then schedule follow-up calls to make adjustments.

Or: you can have one business unit push a presentation completely to the end, come up with a finished product, and use that as a visual example for the other units. To see slides filled with data is much clearer than empty theoretical layouts.