SlideMagic Blog

Clean crisp design work is unlikely to happen in a messy working environment. No, most employees have little influence over the interior design of an office, but your own desk? You can do it. Apple keyboards look horrible after a year of use, but are easy to wipe clean. Buy a nice pen/mechanical pencil, invest in a beautiful notebook (buy it yourself if it is against corporate purchasing policy), peel off the Intel inside sticker from your corporate laptop. Clean up the outdated post it notes on the whiteboard. Wipe the whiteboard. Open the blinds.

Art via WikiPedia

I went through a big cleanup of my office the other day and encountered many of the gadgets I have reviewed on this blog over the past years. Unfortunately, they did not become regular productivity tools (at least most of them). Wacom tablets, Wacom Inkling, lots of different iPad styli. Now looking back at these. Part of the problem is the hardware, but the other part might just be that free hand drawing is not the most convenient interface to design presentations.

An update on the Apple Pencil. I think the pencil hardware is sorted, but there is still a software issue. My note taking app needs to be open in a meeting all the time, with the screen on, it does not survive a long meeting.

Maybe 2017 will be the solution.

Image by Creative Tools on Flickr.

I have argued many times before here that design work on small screens is difficult. It is OK to fix typos in a presentation on a tablet or phone, but the small screen is not the right interface to focus your creative energy. This was the reason that my presentation design app SlideMagic launched as a web app rather than as “mobile first”.

The issue is not constrained to graphics design. Recently I started venturing in iPad apps that aim to be perfect replicas of ancient analog synthesisers. The Moog Model 15 iPad app is a technical wonder by packing so much sound in a small device, and offering a graphical user interface that enables you to connect wires everywhere.

Keith Emerson in front of a Moog synthesizer  ( image from WikiPedia )

The problem is the lack of screen real estate. You have to scroll constantly to go from one end of a wire to another. You cannot get the full picture of what you are doing. An I think that the experience would not have been much better on a laptop either, still to small. You need a very large monitor to get the same experience as standing in front of the actual instrument.

 This goes further I think. Laptops, and before that, crappy 768 pixel, 80x25 character monitors were big contributors to the design mess in business presentations. A big empty white board works better to design charts than a small A4 piece of paper.

I now have spent more hours taking notes and sketching with my iPad Pro 9.7 + pencil combo (read the earlier post). Things are still not perfect.

Taking notes

The big issue is instant availability of your canvas. Keep the screen on continuously and you drain your battery in less than an hour. Do auto-power off and you find your self do this for every single scribble you want to make 1) press home button 2) touch id 3) touch canvas to activate the writing surface. The latter is probably an issue in the Evernote Penultimate app, which has 2 modes: One where you view notes, and one where you can edit them.

Sketching ideas

• The 9.7" screen is to small for sketching big, bold concepts, I need more space. (But then I don’t want to carry an iPad Pro 12" around). You actually need 2 devices.
• Current apps don’t support erasing very well. You have to go into a menu, change the pencil to an eraser, erase, then switch it back again. Maybe Apple can put a sensor in the back of the pencil and make it an eraser, or could enable the use of multiple pencils in the same app. My creative process is rather paper intensive. I use a huge pile of old paper: make a bold sketch, toss it away, make another one, and another one, until I iterate to a chart in 10 loops or so. Even the pretty app Paper by 53 does not accommodate this workflow.

Over the years I have written many reviews of styli and iPad note taking apps on this blog. I am a heavy user of notes:

• Jotting down things during client presentation briefings. A very small part of this is actually to make sure I do not forget certain things (a correction on page 53, the total market for home insurance). For the most part I find that when I write things down, I remember them better. I actually never look back at the notes.
• The second big use of a note pad is to draw sketches for charts. Almost every chart with a sketch.

Up until now, I have not found a good alternative to pencil and paper:

• Tapping on laptops (and iPad screen keyboards) disrupts the flow of a meeting (you look like a note taking clerk)
• Styli were physically unpleasant to work with (too small, too fat)
• Handwriting recognition on iPad was not optimal (small strokes, palm interference).

The iPad Pro (I have the 9.7" version) and Apple Pencil changed a lot. I actually use the device now in meetings and leave my note book and pencil at home. I tried Apple Notes, Penultimate, and Paper by 53. Of these, Penultimate suits me best in meetings. Everything syncs to Evernote (they got me locked in), nice and fat pen strokes, and easy to add pages and scroll over your notes. The big issue has now become battery life. Watch out in long meetings where you leave the screen on for a long time.

While I have been upgrading my phone fairly frequently over the past years, my iPad has pretty stayed the same for a long time. I got the first one with Retina display (the 3 I think), got frustrated with its weight and got a Mini as soon as that one was equipped with a Retina display. Last week, I got an iPad Pro 9.7.

Why? I will be honest, screen size. I subscribe to many iPad magazines in niche categories (mountain biking, synthesizers if you are interested) and these smaller publications do not always have apps that adjust to small screen sizes. At 46, I found them increasingly hard to read.

Also I was curious about the Apple Pencil and keyboard. The big iPad Pro tempted me, but I held out long enough to read the reviews of most users who found its size too bulky. So, here I am with an iPad Pro 9.7.

The first thing that strikes you is the incredible screen this iPad has. My iPhone 6S looks poor next to it. Second is its weight. Feels the same as my old Mini, despite a much larger screen.

The pencil is the first one that actually works for an iPad. Over the years I have tried many, many styli, and always found myself going back to paper. All my slide designs start as a sketch on a piece of paper, I like to make them big, so I burn through many trees in a month. I am hopeful that the pencil will finally end this waste. The real answer will come after a month of use or so. The pencil works nicely in the Apple Notes app, but really shines in the Paper app by 53.  The only drawback of the pencil is that there is nowhere to put it. I reviewed a leather designer cover I got for my iPad 3 to carry everything around.

I have been reading the reviews of the Apple iPad Pro and the Microsoft Surface Pro with great interest. Analyst Benedict Evans and many others claim that iOS/Android powered devices will replace OSX/Windows computers as the main computing tools we use.

Illustrators and designers seem to love the devices. Big surfaces with a precise pencil signal the end of the expensive Cintiq devices.

Writers (bloggers, journalists) complain that they miss the mouse/track pad on these devices. It is hard to go back and forth from keyboard to screen to move quickly through text and cut/paste sentences.

Presentation design might actually be a good fit for a bigger tablet, if you can make things run smoothly without the need for the attached physical keyboard. It would require a redesign of the user interface though, the mouse-based UI is too complicated, and the current mobile UIs are too counter-intuitive, many functions are hidden. SlideMagic might fit the bill, I am going to find out soon.

Still, there is the difference between “it works great” and mass adoption in big enterprises…

I have been following Paper by 53 from the early days. It is a sketching and drawing app for iPad. The initial revenue model consisted of premium add ons (virtual pencils, pens, etc.), later they moved to hardware sales (a styles that is seamlessly integrated with the app).

Recently, they have extended/repositioned the app to corporate “white boarding”: designing, prototyping, brainstorming, mind mapping, problem solving, via a new release called Think.

Here is what I like:

• Absolutely beautiful and gorgeous user interface. The pen strokes are the best I have seen on any iPad drawing/sketching app.
• Brilliant user interface functionality. They really thought about what functionality you actually need, and then they put in the absolute minimal amount of features. You draw a box, the app cleans it up. Resizing, moving things around, perfect. Very short help videos are embedded to unstuck you if needed. Fantastic, I am jealous that I had to retain more functionality in my SlideMagic app.

Now, here is the problem that I see to get Think adopted broadly in the corporate world. And I share the pain, as I am trying to convince people in enterprises to change the presentation tools they are using.

• White boarding is a group activity, and the current iPads are simply too small to work comfortably with multiple people. It is even a challenge for just one user. I suspect that we will see very large tablets and tablet/laptop hybrid touch screens in the near future which would solve this problem. My guess is that the huge “Minority Report”-style whiteboard that combines user input and rendering is still far away.
• Dealing with text (important in corporate communications) is still a bit fiddly: you need to zoom in on an object, write with decent hand writing, then shrink it down again. I agree that introducing a character-based keyboard function would kill the UI and flow of the app. Still.
• You still need some sort of artistic talent to create cute diagrams. Yes, the app does some work for you, but in the end you are confronted with an empty canvas that needs filling.
• The app is completely anti-columns-and-rows (180 degrees difference with SlideMagic), but in the corporate world, that is how a lot of things need to be evaluated. Not every problem is a flowing diagram of interactions.

Image manipulation software can do a lot, but most of the time it is used over the top. All that technology causes most ads to look worse than those elegant compositions from the 1960s.

First of all there are the clear Photoshop disasters such as this nice composition below (via the PSD blog).

One step up, designers get the technical execution right, but the chosen concept just hurts the eye (via Ads of the World).

Finally, it possible to get it right, but in most cases these compositions are beautiful illustrations rather than image manipulations. The only difference with the 1960s is that the analogue pencil has been replaced with an electronic one (via Ads of the World).

I would love to use hand drawn graphics in my presentation, but I never got to drawing and sketching on a computer. Any tools without a direct screen feedback loop (the mouse, drawing pads, and even the Wacom Inkling) simply do not work for me, and I think a screen like this are very expensive and generate additional clutter in my workspace.

The iPad could solve this, because it has a touch-sensitive screen. As a result, hundreds of drawing apps have popped up in the app store. Drawing apps are different from note take apps. The latter require wrist protection, a good way to organize notes. Drawing apps require brushes, color, pens. Like with writing apps, most drawing apps come loaded with features that just confuse me.

Hence, I was happy to discover Paper by 53, a minimalist drawing app (one of the readers pointed it out to me in a my recent review of iPad note taking apps). Paper just cut down the drawing tools to the bare essentials, and the result is actually good I think. The app is free, but this version comes with one drawing tool: the ink pencil, if you want to get a pencil, a marker, a pen and a paint brush (water colors) it will set you back $8 in in-app purchases.

The pencil is the tool I actually use most. There is a big drawing problem with the iPad screen: it is not pressure sensitive, and varying stroke width is the key feature what makes writing with an ink pen so great. Paper solved this with adjusting the stroke with depending on your speed as you move the pen over the screen. More confident, fast strokes, will appear bolder. (The pen tool works the other way around, moving it slowly creates heavy ink, moving it fast produces a thin line). I love the simple cartoon style sketches that this app produces, and I am looking out for a first client situation where I can try out a cartoon-style presentation (like the one below) for real.